SEATTLE — It's fitting that on Monday morning, the inside of the "Nirvana: Taking Punk to the Masses" exhibit at the Experience Music Project in this Northwestern music mecca looked much like the band's music sounded: messy, splintered into 1,000 pieces, all over the place, yet somehow meticulously together and beautifully chaotic.
Museum workers inside this gleaming temple to the enduring influence of the city and region's musical heritage were in a mad scramble to get the first-of-its-kind exhibition of Nirvana artifacts into shape for Saturday's opening. Glass display cases with spots destined to feature one-of-a-kind treasures stood empty, while others were already fitted with touchstone effects. Among them were the iconic green sweater worn by late singer Kurt Cobain in the "Smells Like Teen Spirit" video, the hastily drawn-up recording contract with Sub Pop Records promising the group $600 for their first album and a then-princely $12,000 for their second and a variety of smashed guitars from pivotal points in the band's career.
But curator Jacob McMurray cautioned that "Taking Punk to the Masses" is much more than a deification of already grunge-sainted late singer Cobain. "One of the things that was really important to me is that it isn't a novel that I'm writing," he said. "It isn't about me or EMP, so I wanted to make sure through the oral-history quotes and the video that it's all being told as much as possible through the primary sources."
